It is the summer of 1953, and George and Charlotte Hay, formerly a couple of Broadway stars, have taken their run-down touring company to Buffalo, New York. In Buffalo they have the intention of running “Cyrano de Bergerac� and “Private Lives� in repertory, all the while grumbling about missed Hollywood opportunities. But on-stage harmony is compromised when George performs an off-stage infidelity, impregnating the company’s ingenue. When Charlotte learns of this, she prepares to run away with the family lawyer, sending lightweight George on a grief-stricken drinking binge. It turns out that Frank Capra is headed to town on a talent scouting mission looking to hire the couple for his swashbuckling Scarlet Pimpernel epic. As a result, the Hay family -- including scornful, deaf mother in law Ethel, determinedly practical daughter Rosalind, and dashing actor Paul, Rosalind’s ex-boyfriend -- must work overtime to get sloppy drunk George into his Cyrano hat and nose�. or is it his Elyot Chase smoking jacket? With the entrance of Rosalind’s fiance, anxious TV weatherman Howard -- one man with two mistaken identities -- and Richard Maynard, the wealthy lawyer hoping to lure Charlotte away to his mansion -- the confusion only intensifies. With a plethora of pratfalls, slamming doors aplenty, and backstage shenanigans, Ken Ludwig’s Moon Over Buffalo is a fast-paced, hilarious screwball comedy in the old tradition, a throwback farce, a valentine to the stage, and the larger-than-life personalities that inhabit the world of the theatre.
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