It is 1971, and the iconic Weismann Theater, now a crumbling shell of its former glory, is about to be demolished to provide precious New York City parking space. Broadway impresario Dimitri Weismann arranges a reunion of the actors, singers, dancers, and personalities who peopled his famous Follies in the years between the World Wars, as a farewell tribute to the doomed building. In a shabby yet sparkling atmosphere of bittersweet nostalgia, a wide variety of faded glamour girls -- the famous Follies beauties of years gone by -- laugh, reminisce, brag, boast, express regret, and perform the musical numbers which made them famous, trailed by the ghostly memories of their younger selves. Against this volatile atmosphere of drunken remembrances, a decades-old love quadrangle receives a revival when Follies dancers Sally and Phyllis, and their respective husbands, Buddy and Ben -- who used to hang around backstage, waiting for their girls -- meet again. During one night of romance and regret, two crumbling thirty-year-long marriages are put to the test. With the endless variety of Stephen Sondheim’s score, a loving and brilliant pastiche of show music from the �20s, �30s, and �40s, and the time-travel trickery of James Goldman’s book, Follies is a glamorous and fascinating peek into a bygone era, and a clear-eyed look at the transformation of relationships over time. This show features the wistful torch song “Losing My Mind,� the wry showstopper “I’m Still Here,� and “Broadway Baby,� that determined ode to making it in show business.
Follies guide sections
