Act One
"A Cinema in Buenos Aires, 26 July 1952" � Crowd
--Replaced by "Junin, 26 July 1952" for the Japanese productions, London and Broadway revivals.
"Requiem for Evita" � Chorus
"Oh What a Circus" � Ché and Crowd
"Eva and Magaldi" / "Eva, Beware of the City" � Eva, Magaldi, Evita's Family
"Good Night and Thank You" � Ché, Eva, Magaldi, Lovers
"The Lady's Got Potential" � Ché (often cut from productions)
"The Art of the Possible" � Perón, Generals, Eva
"Charity Concert" � Perón, Ché, Magaldi, Eva
"I'd Be Surprisingly Good for You" � Eva and Perón
"Hello and Goodbye" � Eva
"Peron's Latest Flame" � Ché, Aristocrats, Soldiers, Eva
"A New Argentina" � Eva, Ché, Perón, Crowd
Act Two
"On the Balcony of the Casa Rosada" � Perón, Ché, Crowd
"High Flying Adored" � Ché and Eva
"Rainbow High" � Eva and Dressers
"Rainbow Tour" � Perón, Advisers, Ché
"The Actress Hasn't Learned the Lines (You'd Like to Hear)" � Eva, Aristocrats, Ché
*"And the Money Kept Rolling In (And Out)" � Ché and Crowd
"Santa Evita" � Children and Chorus
"A Waltz for Eva and Ché" � Eva and Ché
"You Must Love Me" � Eva --Written for the 1996 film, "You Must Love Me" was added to the 2006 London production and has been used in other post-film productions. Its placement varies from right after "Waltz for Eva and Che" to right before "Eva's Final Broadcast."
"Peron's Latest Flame" - Soldiers
"She Is a Diamond" � Perón
"Dice Are Rolling" / "Eva's Sonnet" � Perón and Eva
"Eva's Final Broadcast" � Eva
"Montage" � Eva, Che, Perón, Chorus
"Lament" � Eva, Embalmers, Che
A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.
Evita guide sections
